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"Do you really?" asks Mona, earnestly.,

It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years.,

"It entirely depends on what you consider a lady," says Geoffrey, calmly, keeping his temper wonderfully, more indeed for Mona's sake than his own. "You think a few grandfathers and an old name make one: I dare say it does. It ought, you know; though I could tell you of several striking exceptions to that rule. But I also believe in a nobility that belongs alone to nature. And Mona is as surely a gentlewoman in thought and deed as though all the blood of all the Howards was in her veins.",

"It was only twenty minutes," says Mona.

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"What have you got behind your back?" says Geoffrey, suddenly, going up to her.,

The "poor Maloney" has done it. She forgives him; perhaps because—sweet soul—harshness is always far from her.,

"I am not going to suffer," says Mona, lightly. "Sorrow only falls on every second generation; and you know poor mother was very unhappy at one time: therefore I am free. You will call that superstition, but," with a grave shake of her head, "it is quite true.",

Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud."